DEIVATHIN KURAL # 99 (Vol # 7) Dated 27 Jan 2014
DEIVATHIN KURAL # 99 (Vol # 7) Dated 27 Jan 2014
(These e-mails are translations of talks given by PeriyavãL of
Kanchi Kaamakoti Peetam, over a period of some 60 years while he was the
pontiff in the earlier part of the last century. These have been published by
Vanadi Padippagam, Chennai, in seven volumes of a thousand pages each as
Deivathin Kural. Today we are going ahead from page No 747 of Volume 7 of the
Tamil original. The readers may note that herein ‘man/he’ includes ‘woman/she’
too mostly. These e-mails are all available at http://Advaitham.blogspot.com
updated continually)
26. The act of
arson did not affect Thiru Gnãna Sambandar in any way and he realized that it
was a divine decision to revive the use of Vibhuti and Rudraksha in
Madurai. The intention was punish the
king who punishes his citizens for being devoted to Siva and Saivam! So, he thought that the fire ignited by the
Jains may go and affect the Pãndya Raja himself! His words are 'amaNar koLuvum sudar paiyave
senru pãndiyarkãgave' – 'அமணர் கொளுவுஞ்சுடர் பையவே சென்று பாண்டியற்காகவே'. In Tamil this
Jainism is called 'SamaNa' religion and the Jains are called both as SamaNa and
AmaNa. The second word AmaNa alludes to the fact that they barely cover their
bodies with clothes. His words meant that the fire lit by the Jains may go and
attack the King of Pãndyas. This divine boy did not wish that the King of
Pãndyas should be attacked violently, hence the use of the phrase 'பையவே சென்று', meaning 'may quietly go and'! The fire got in to the King of Pãndya's body
and he felt that his whole body was on fire.
Evidently he was running a fever and felt the burning sensation all over
his body and it was called, 'veppu noi' – 'வெப்பு நோய்' in Tamil, 'Disease of Heat'.
27. Appar was made
to suffer in 'Soolai Noi' and repentance by which he was reclaimed by
Easwara. Then he went and fell in the
feet of his sister Thilakavathiyar and received the Vibhuti! Here for the sake of the King of Pãndyas, his
wife Mangayarkku Arasi went with the Minister Kulachiraiyar and fell in the
feet of this baby boy Thiru Gnãna Sambandar and beseeched him to save and spare
her husband's life. She had earlier invited
him to the Pãndya Kingdom so that the King's deserting the Saivam and Sanãtana
Dharmam may be corrected. Sambandar realized as to what was the divine
Sankalpa! He told them that, after
curing the King of his affliction, he will go on to beat the Jains, who decry
the conduct of Vedic procedures, by debates and in as many tests of strength
and relevance as they could think of! That is the divine decision he said,
'veda veLviyai nindanai seiduzhal…amaNarai vãdil venru azhikkat thiruvuLame' –
'வேத வேள்வியை
நிந்தனை செய்துழல்... அமணரை வாதில் வென்றழிக்கத் திருவுளமே'!
Having got the sanction from Sundareswara directly in his Sannidãnam,
Sundarar came over to the Pãndyan King's Palace itself!
28. There were a
whole lot of Jains hovering about the King with peacock feathers in their hands,
chanting all sorts of mantras and trying their tricks to cure the King of his
disease. Mangayarkku Arasi was concerned
that they may not hurt this small boy, entering amidst them nonchalantly! That moment, she forgot all the miraculous
exploits of his that she had heard about and was only reacting like a mother
would do about her child! 'This child is
getting in singly amongst an overwhelming number of opponents not by itself,
but on our request, isn't it? I hope I
am not guilty of sending this child to certain death!' That moment her only feeling was, 'Let
whatever happen to Saivam or Jainism and let whatever happen to my husband's
health. Oh God! Please save this child', was the only prayer
on her lips.
29. Thiru
Gnãna Sambandar could
visualise her plight. He called for her
and sang a poem consoling her. Normally
in Nãlãyira Divya Prabandam and Thevãram, we do not come across direct evidence
of, the various incidents of that happened during critical moments of their
life. Whereas in this case there is such
direct evidence of the fact, about the visit of Sambandar to Madurai on the
invitation of Mangayarkku Arasi and Kulachiraiyar, and his assurance to her
when she was mortally afraid of his safety, in Thevãram songs itself. His view was, "Let them be great
magicians. But for people who do not
have the God's sanction, however much strong they may be, to the believers of
Easwara, they are all immaterial and inconsequential! On my way here in Aãnai Malai, what happened
to all their nefarious efforts? Will I
ever succumb to their heinous tricks? Am
I saying this by the pride of my ego? I
am saying this by the power of Easwara who is all the time standing beside
me! He brought me here. When he is the inner power as 'Antaryãmi',
what is there for me to feel afraid or proud?" With such ideas Sambandar sang this padigam.
30. Now let us
analyse the poem line by line. 'mãniner
vizhi mãdarãi vazhudikku mãperun devi kéL' – 'மானிநேர்விழி
மாதராய் வழுதிக்கு மாபெருந் தேவிகேள்!' He
is saying, "You who is the like an Empress among women and the wife of
this Pãndya King known as
Vazhudi, listen." In the next
sentence of the poem he says, 'pãnalvãyoru bãlan eengivan enru nee pariveididél'
– 'பானல்வாயொரு பாலனீங்கிவன்
என்றுநீ பரிவெய்திடேல்'. 'பால் நல் வாய்'
in being combined becomes 'பானல்வாய்'. The whole line means, 'Please do not be
afraid, as to how I am going to be saved from these big and mighty opponents,
while I am still a small baby-boy not yet weaned from drinking mother's milk!'
31. If you
ever think that in Periya PurãNam,
it is the fertile imagination of the writer that claims that Thiru Gnãna
Sambandar did so many great things when he was only a small baby boy not yet
weaned, you are mistaken. The truth is
emphasised when here, he himself is claiming that 'he is yet on a diet of milk
only'! He is not only saying that it is
'pãl vãi' – 'பால் வாய்', but also saying, 'pãl nal vãi' – 'பால் நல் வாய்',
adding that adjective 'nal' – 'நல்' to it, meaning the
adjective 'good'! Isn't it a bit of a
pride there, may be your doubt. Why did
he add this 'nal' to describe his own mouth?
He was not a man of pride. He
said so because, it was not any milk but mother's milk, that mouth had been fed
with. That too, not any mother's but
AmbãL herself had breast-fed him satisfying his hunger and also filling him
with divine Gnãna.
32. Then he says,
'As I was on the way coming here, in the place where I was halting for the
night in Aãnai Malai and other places these trouble creators could not do much,
despite their trying, because of the fact that Vãlarãyan was standing guard for
me!' This 'Vãlarãyan' means Haran of Ãlavãi that is another name for Madurai. His words of the next line are, 'Aãnai Malai ãdiya idangaLirpala allalser eenargatkeLi yenalen thiru
vãlavãyaran nirkave' – 'ஆனைமலை
யாதியாய இடங்களிற்பல அல்லல்சேர் ஈனர்கட்கெளி யேனலேன் திரு வாலவாயரன் நிற்கவே'. Aran or Haran
is one of the names for Siva that Sambandar loves most! When He is with me, nobody can in even touch
me let alone hurt or demean me! After he
had assuaged her apprehensions like this, there was a real test or trial of
strength or whatever you may want to call it, between the Jains and Sambandar
to decide as to which is the real and superior religion, based on who could
cure the Kings 'veppu Noi'!
33. The
motivator and instigator for this competition of sorts is that of Mangayarkku
Arasi. The one who a few minutes back
felt, 'Let Saivam and Jainism go wherever and whatever happens to her husband's
health, as long as this child is saved from any harm', now suddenly was aware
of tremendous amount of trust and faith in this child's abilities and power. So she believed that by the power of
Sambandar, the name of Saivam and her husband's health will be redeemed and
recovered and so was keen on both in one stroke, as they say, 'two mangoes in
one stone', used as a missile! As the
Pãndyan Queen, she set the rules for the competition. "Let them both try. Whosoever cures the King of the illness, that
side will be considered as the winner", she declared. The affected person being the King, he at
once accepted to the rules of the competition.
34. Considering
his body in two parts as the Right and Left side, it was agreed that the Jains
and Sambandar will try their cures on that side of the body. Chanting their Mantras the Jains started
caressing the left side of the body lightly touching the body with their
Peacock feathers. With each stroke, the king
felt that the burning sensation was increasing.
Unable to tolerate further, he looked at Thiru Gnãna Sambandar. That is the time Sambandar sang the Padigam
that starts with the words, 'mandiram ãvadu neeru' – 'மந்திரம்
ஆவது நீறு' extolling
the power and potency of the Vibhuti of Sundareswara Swami, the Presiding Deity
in Madurai, and applied the Vibhuti on the right side of the body. As the Vibhuti was applied, the heat subsided
and on the King's request, the same was applied on the left side of the body also
and thus the King's 'Veppu Noi' was got rid of completely.
35. Thilkavathiyar
gave Vibhuti to her brother to get rid of the Soolai Noi. Here Mangayarkku Arasi got the Vibhuti
applied to her husband all over the body by Sambandar to get rid of the Veppu
Noi. In both the cases, it was the
Vibhuti that cured the disease and saved the Vedic Religion. Even after this burning body was cooled as
the placid waters of the river, the Jains did not accept their defeat! They insisted on two more tests. They were the 'anal vãdam' & 'punal
vãdam' – 'அனல் வாதம்' & 'புனல் வாதம்'. (This word is
not to be mistaken as the English word 'Anal', which means excessively orderly. In Tamil this word is pronounced with the first
letter 'A' shortly and not elongated.)
In the first test of 'Anal Vãdam', both representatives of Saivam and
Jainism were to write the important points of contentions of their respective
religions, on Palmyra Leaf and place it in fire, whichever manuscript remains
without being burnt, that side is declared the winner. In Punal Vãdam, similarly both sides were to
place their respective manuscript in the flowing river. The manuscript that swims against the
current, instead of getting washed away, will be declared the winner. In both of them, needless to say, Thiru Gnãna
Sambandar was the winner. What does it
mean? It means that Saivam that is the
Vedic Religion was the winner. The
Pãndyan King and the Kingdom came back to the way of Sanãtana Dharma, once
again!
ÃryãmbãL – SarasavãNi & Ãdi Sankara
36. In
Tamil Nãdu for the outside religions to give way to Vedic Religion and for it
revive and flourish, God has made use of two women as the tools, while letting
them stand behind the scenes as the driving force, for the effectiveness of
Appar and Sambandar to become known to the world. If you take the whole of the Indian
subcontinent, if Ãdi Sankara Bhagawat PãdãL could defeat 72 different religions
and sects from within and outside the country, single handed and was victorious
in re-establishing the Vedic Religion, it is his mother ÃryãmbãL who gave him
permission to assume Sanyãsa, when he was only a child of eight years of age!
37. There
is one more gem of a woman who has contributed immensely for the spread of this
religion, within Sankara Vijayam, in which she had to sacrifice her husband for
the sake of the religion. I am talking
about SarasavãNi the wife of Mandana Mishra.
This was not a fight between the Vedic Religion and a Non-Vedic
one! It was between the total Vedic
Religion inclusive of the three prongs of Karma, Bhakti and Gnãna Marga-s and
the one sided 'Karma Only' of Mandana Mishra.
Like they say, 'Yours is not to question why but to do and die'; this
Mandana Mishra advocated, "Simply do your Karma and Kaput! There is no need for either devotion of
Bhakti or intelligent analysis of Tattva Vichãra!" He was defeated by Sankara Bhagawat
PãdãL. For this debate the arbitration
was done by the wife of Mandana Mishra, SarasavãNi by name. Then she said that as wife is the better-half
of the husband, Sankara should compete with her also in debate. Sankara agreed
and defeated her too. She was an
embodiment of Saraswathi Devi herself!
(To be continued.)
Sambhomahadeva
Labels: posted by Lt Col KTSV Sarma
0 Comments:
Post a Comment
<< Home